This letter was released today in response to the issues related to “Thoroughly Modern Millie,” as outlined on this blog and elsewhere. Village 14
Department of Fine & Performing Arts
Newton North High School
March 13, 2014
This letter is in response to some recent concerns surrounding Newton North’s production of Thoroughly Modern Millie. It is important to acknowledge up front that we recognize the concerns that have been brought forward. We appreciate the open and honest dialogue and hope that the information in this letter will help us all understand the work that has gone into this production and the teaching and learning that will continue long after this weekend.
In choosing Thoroughly Modern Millie for production we recognized early on that there are some significant challenges in regard to the stereotypes portrayed in the show. We ultimately decided to produce the work, but took deliberate steps to address these concerns directly from the onset:
- Michele Leong, English Teacher and Director of the Office Human Rights and Charlene Beh, English Teacher at Newton North have been a helpful resource to the faculty, staff,and students involved in this production. They led the cast/crew in workshops about the stereotypes portrayed in the musical. They also were instrumental in educating the staffand students on Asian Stereotypes in the media and its impact on our society. Ms. Beh also attended a rehearsal and gave helpful feedback to the production staff.
- The students in the Asian Culture Club at North had a conversation with the director,producer and department head in which they voiced some of their concerns and suggestions.
- We reached out to MTI, the company that owns the rights to Millie to see if a high school edition was available. Unfortunately, it was not.
- The program includes a Production note that addresses the concerns surrounding the stereotypes.
Adam Brown, Director of Theatre Ink, in his opening words to the audience at each production will make a statement about the stereotypes in Millie and invite the audience to read the production note found on page 49 as well as invite them to our talk back.
We do understand that we did not appreciate the magnitude of feelings that the play would elicit. Even as educated artists and teachers we also learn and grow in situations like this. Future selections will go through more scrutiny and we will look at issues with a keener eye. We do apologize for the impact that this has caused and may cause members of our community. Even with these steps in place, we acknowledge that for some it may not be enough. It is our sincere hope that this production is one of both artistic integrity and one where significant learning has occurred. It certainly was never and is never our intent to offend members of our school or Newton community.
Theatre Ink prides itself on being “Newton North’s Teaching and Working Theatre.” The process of producing this show, and the thoughtful and sometimes challenging dialogue it has generated among staff, students, and the broader Newton community, exemplifies the program’s commitment to explore, critique, and interpret how the human experience is conveyed throughthe arts. As the curtain goes up tonight we are bringing the constructive conversation and learning process that our school community has engaged in over these past few months to an audience of students, parents, and community members. We hope that you will choose to participate in it with the same appetite for learning that we have seen in our students – a genuine desire to understand our differences, our history, and ourselves.
On Monday night, March 17th, we will hold a “Talk Back” to further learn and share perspectives surrounding the arts and stereotypes, especially those presented in Millie. All are welcome to attend. The meeting will be held in Newton North High School’s Little Theatre at 7:00PM. We hope you will join us.
Sincerely,
Todd R. Young
Chair, NNHS FPA Department
Adam Brown
Director, Theatre Ink
Jennifer Price
Principal, NNHS
p.s. A reaction on Twitter
Arissa Oh @arissaoh Mar 14‘we did not anticipate that ppl wd be upset that we are staging a racist show; pls come and share yr concerns so we can dismiss those too’
Arissa Oh is a professor of history at Boston University. Professor Oh’s current project examines the origins of the practice of Korean and international adoption. Her research and teaching interests include immigration and race in U.S. history, transnational Asian-American history, and Cold War social and political history. She has a B.A. from Yale and a Ph.D. from University of Chicago. She lives in Newton, MA. Follow her on Twitter.
Related Links:
Thoroughly Modern Millie is Thoroughly Racist
My Take on Thoroughly Modern Millie
Talk Back: Racism in Thoroughly Modern Millie at NNHS
Throwndown NNHS: Talk the Talk or Walk the Walk? Regarding Racism in Thoroughly Modern Millie
MTI Advises How to Squelch Dissent on Thoroughly Modern Millie
Thoroughly Modern Millie End of School Year Takeaway
Thoroughly Modern Millie Talk Back Videos
Rebuttal to ’Millie in Newton: Turn Stereotypes into Lessons
The Boston Globe: School Play’s Stereotypes Bring Outcry and Apology. “Millie” touches nerve in Newton by Ellen Ishkanian
The Boston Globe: ‘Millie’ Flag Highlights How Old Plays are Rife with Stereotypes by Don Aucoin
The Telegraph: US high school show triggers race row by David Millward
NECN TV Segment: NECN Broadside with Jim Braude, Historical Musical Sparks Controvery at Massachusetts High School
More Than 50% of Asian American Teens are Bullied in School
White Privilege and Thoroughly Modern Millie
The Boston Globe: ‘Millie’ Fight Creates a Chilling Effect by Joan Vennochi
The Boston Globe: ‘Millie’ in Newton: Turn Stereotypes into Lessons
The Boston Globe: Musical is Little More Than Staged Racism by Jeffrey Melnick (Letter to Editor in response to Joan Vennochi’s article above).
Monitoring, Exposing & Fighting Against Anti-Semitism and Racism: Thoroughly Modern Millie’ play draws controversy in Mass. over racial stereotyping
Company One: In the Intersection, Thoroughly Modern Millie Controvery at Local High School
A case study published by UMass Peter Kiang almost 20 years ago (see pages 9-13), parallels almost exactly what happened at Newton North High School. ScholarWorks at UMass Boston, We Could Shape It: Organizing for Asian American Student Empowerment by Peter Nien-Chu Kiang.
The Notebook: Racism isn’t entertainment: Why “Thoroughly Modern Millie” didn’t belong on CAPA’s stage
Resist Racism: Thoroughly Racist ‘Thoroughly Modern Millie’
Genki Speak: Racism in Our Backyard
Angry Asian Man
Village 14: Decision to Stage ‘Thoroughly Modern Millie’ at North Challenged
AsAm News: Play Filled With Offensive Images Sparks Town Hall Meeting
AsAm News: I Love Newton: High School Production Fails To Address Heavy Dose Of Asian American Stereotypes
Greer Tan Swiston: Kudos to Newton North for a thoroughly modern update of ‘Millie’
The Boston Globe: Oh, by the way, how about a round of applause for the kids? (Letter to the Editor from a grandparent)
The Boston Globe: Choice, execution of musical informed by thoughful education process (Letter to the Editor from the writers who comprise the Theatre Arts Opportunity Committee at Newton North High School.)
The Boston Globe: We miss a vital chance for understanding when we swap out ethnic characters (Letter to the Editor from a great-grandmother, teacher and volunteer)
Arissa Oh @arissaoh 1h3 white ppl on @GreaterBoston unhelpfully discuss HS prodns of “Thoroughly Modern Millie.” cc: @pragmaticmom
Pawprint: Millard West Student Newspaper: Through with Thoroughly Modern Millie
The Washington Post: Twenty-Three Skiddo: ‘Modern Millie’ Doesn’t Dance
It’s an attempt, sort of, at a parody of the old-style musicals of the ’20s and ’30s, the sort jerry-built out of cheerful songs, convoluted plots, elaborate tap demonstrations and derogatory stereotypes.
IMDb: Thoroughly Embalmed Musical
Project Muse: Thoroughly Modern Millie (review)
Not Like Crazy: An Easily Overlooked Racism?
In the Spring semester at school, the Musical Theater Department put on Thoroughly Modern Millie, which was overflowing with racism in its portrayal of Asians. I must say, I was thoroughly upset about the whole thing. First, the guys playing the Asians, I believe they were supposed to be Chinese immigrants, had white face makeup and slanty eyes. I couldn’t help but think that if they’d dressed in blackface, surely there’d be an uproar (Of course, they are putting on Ragtime this year, so we’ll see how they handle that– they’re already sending out emails about how they want the black students to try out for roles because there aren’t many black people in the musical theater department *eyeroll*). That wasn’t the only bad thing about the musical, however, the villian was a white woman pretending to be Asian who pronounced her L’s as R’s, and said she used soy sauce to clean a stain. Of course, she also treated the two Asian immigrants who worked for her as if they were stupid, and the silently and humbly submit in front of her, though behind closed doors they argue in Chinese (I guess it was real Chinese), with subtitles projected above the stage. And then one of the Asian men falls in love with one of the white women in the musical, blonde hair, blue eyes, you know the deal. At the end of the musical, they get together, as if his reward for working hard and being submissive, for being mistreated, is the gift of white womanhood, the pinnacle of creation. So yeah, I was pretty pissed about that whole thing.
Myvanwy: Review of Thoroughly Modern Millie
Someone sent me video of a local comedian’s youtube video of a character I’ve seen him portray once before. To call it infantile and racially insensitive would be a gross understatement. For the targets of his ridicule, it’s every bit as offensive as a mean-spirited performance in blackface. But because it’s against one of the few groups for whom bigotry, hostility, and ridicule is still acceptable (Chinese Americans and others of Asian and/or Pacific Island descent), it’s seen as okay by most and even encouraged by other local comedians. Kevin Marshall’s America
Zak Keith: Hollywood Asian Stereotypes
Racism against Asians is often “unawares”—a form of racism that flies under the radar due to its widespread acceptance as the norm. Its interactive dynamic resembles that of an unwritten social contract. Asians in the West are expected to accept patronizing remarks and racist taunts so demeaning that perpetrators would think twice before dishing them out with such unwavering consistency to any other minority group, such as Latinos or African Americans. Asians who object to such treatment are typically met with befuddlement and offense at their audacity to make an issue out of it.
Mia Wenjen blogs at PragmaticMom: Education Matters, here and occasionally at her Asian American blog JadeLuckClub. She resides in Newton with her husband and three kids, the oldest of which will attend Newton North High School this fall. She can be found on Pinterest, Twitter, LinkedIn, Facebook, Sulia, Google +, Instagram and YouTube.